Springer Images: A simple but important idea

Eoin Purcell

A screen capture from the SpringerImages site

A screen capture from the SpringerImages site


I like SpringImages.com and not just because I am the kind of nerd who will use it. Even without paying a subscription you get pretty broad usage terms:

If you are a Registered and a Subscribed User, you may

* Access, browse, copy, collate, display, search, bookmark, retrieve, display and use the Content for educational, personal, scientific, or research purposes, including illustration, explanation, example, comment, criticism, teaching, research or analysis in accordance with these Terms of Use.
* Add keywords to Content and save prior searches of the Content on your Account, and you may use the Content to tailor your Account in accordance with these Terms of Use.
* Download or create printouts of certain Content under certain restrictions and conditions. All reproduction and distribution of such printouts, and all downloading and electronic storage of materials retrieved through the Content shall be for your own internal, personal or scholarly use.

There is much more detail about the site here! In terms of what most casual users would need, this certainly hits the spot. Opening up these images is a very smart move and one that should be pretty widely welcomed. This is exactly the kind of material it is hard to find in the real world of web search which is the real value of opening up the database for searches even if the results of those searches might yield unusable images (for subscription reasons). I wonder how well the site plays with Google?

Go have a look!
Eoin

Guest Post: Kate Dempsey of Emerging Writer

I asked Kate Dempsey of Emerging Writer to pen me a guest post, and here it is!

Why I blog
So why do you blog as an emerging writer? There’s a question I’ve been asked from time to time. After two years of blogging, the answers have probably changed a bit.

I have kept a diary of my writing projects, upcoming competitions and results and places open for submissions for a good few years. The competitions and submissions information came from a large number of sources: newsletters, emails, various writing websites, other blogs, radio, TV, word of mouth, and I collated it in one place for my own use. I thought this information would be useful to other writers and a blog seemed the easiest way to share it online.

Why did I choose the name Emerging Writer? I’ve been lucky enough to be accepted on some workshops and win awards in this nebulous category, it was easy to remember and I didn’t want my name directly associated. I was job hunting at the time and I didn’t want prospective employers reading about how many times I’ve had work rejected this month. Also I wanted to have a bit of freedom to be critical of establishments, books, poems and even people without them turning up at my front door wielding a hurley.

Then I did a few posts about my own writing successes and failures and, result, I got some comments. Ah heaven. People cared. I posted about writing and reading events in Ireland and started meeting people who read my blog. People who didn’t know me already. Is this fame? I posted writing tips and common errors.

I post pretty well every day now. I’ve posted on council grants and Haiku courses, Canadian magazines and photos for inspiration, literary agents and writing retreats. I always include a picture illustrating part of all of the post. Sometimes the link is tenuous and more for my own amusement than for my readers. I’m easily amused. And I’ve discovered the joys (and unexplained sudden failures) of submitting for a future dates. I use my blog myself for checking on upcoming deadlines and links to submission details.

But always in the back of my head was the idea that when my book gets finished and my agent gets it published, a blog is a great publicity vehicle for my faithful and mildly interested readers. I’m ever optimistic.

What have I learned?
People read blogs. Blogging is a form of networking, as useful in writing as in any other professions. Comments are good, positive or negative, discussions are healthy. Blogging and reading other blogs can easily eat into my precious writing time. All it takes though is discipline to stop that happening. Turn off the internet and get stuck in.

But first, I’ll just check the blogs I’m following for updates on Google Reader…

Bloomsbury Buys Tottel, Some Thoughts

Eoin Purcell

Bloomsbury’s canny acquisition streak continues
Yet again, Bloomsbury have shown that they possess a very clear strategy when it comes to acquisitions. Today they announced that they intend to acquire Tottel Publishing in a modest deal (in the overall shape of things):

Bloomsbury Publishing Plc (“Bloomsbury”) announces today that it has entered into an agreement to acquire Tottel Publishing Limited (“Tottel”), an independent professional and academic publisher in the UK and Ireland. The offer to acquire the entire share capital of Tottel “debt free” will be satisfied by a cash consideration of £9.96m and upon completion Tottel Publishing Ltd will be renamed Bloomsbury Professional.

For the 12 month period ended 28 February 2009, Tottel generated revenue of £6.25m, operating profit of £0.93m and EBITDA of £1.19m (which included acquisition goodwill of £0.249m). The gross assets of the business at that date were £3.58m. Tottel was founded in 2004 and employs 27 people. The acquisition is expected to be immediately earnings enhancing.

Coming on top of their acquisition of Berg, Arden Shakespeare and the launch of Bloomsbury Academic, this really is a sign o where Bloomsbury see its future (as if following those, any was needed). To top it all off they offered us some insight into their thinking:

Bloomsbury has identified academic and professional publishing as a growing niche sector. The proposed acquisition of Tottel fulfils a strategic objective of Bloomsbury in pursuing opportunities in this market and follows from the acquisitions of Methuen, Berg Publishers, and The Arden Shakespeare and the set up of Bloomsbury Academic. Bloomsbury now has a solid platform in this sector and will continue to expand by exploring further strategic acquisitions.

As I have noted before these strategic acquisitions are perfectly suited to digital plays and they seem clear on the potential themselves:

Much of its revenue is subscription-based and in dynamic and fast-moving areas, making its information ideal for online delivery. The company already has a number of valuable online agreements in place, and will be seeking to build on these as it migrates its revenue online over the next two to three years. It already has an extensive e-book programme.

Oddly enough the approach that Bloomsbury are taking to their acquisitions is now reminiscent of the CRH (a large Irish-based multinational Building Product Group) approach which has always impressed me. It is hard to find a fault in this new acquisition and it seems to me that while everyone is busy trying to figure out how trade publishing can survive the digital shift, Bloomsbury is busy acquiring quality niche content that is well suited to digital delivery in the more reference, scholarly and academic sides of the trade. I think it will prove a winning strategy.

Impressed again,
Eoin