Eoin Purcell's Blog

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It's that simple — and that hard. And that inescapable.

Go Read This | New EPUB spec gives tech companies the edge | Arthur Attwell

Arthur nails it. One of the many concerns I have for small and medium sized publishers is that they will simply lose the technical ability to service large parts of the market should that market start to demand more than just straight forward text:

But for publishers, these possibilities extend the technical skill level required to create market-wowing products. EPUB 3.0 has great bells and important whistles, but you’re going to need actual software-development skills in-house to use them properly. In other words, ebooks just took a big step towards becoming software, rather than elaborate text files.

This is huge for publishing businesses, many of whom are only beginning to get their teams’ heads around reflowable text. Add the need to cost for a software development process to compete in, say, the college market, and you’ve got instant editorial heart failure.

via New EPUB spec gives tech companies the edge | Arthur Attwell.

Sure that’s an alarmist perspective but it’s one worth planning to avoid!

Eoin

Filed under: Future of Publishing, , , , , , , ,

Bait ‘n’ Beer | A blog about books, publishing and their intersection with technology. Among other things.

Don’s right on the money here and it plays nicely into the theme I was getting at with my last link too. Read this and think about these things after Christmas:

For example, it’s great to have new discovery tools, but for better or worse, actual book sales (both print and digital) still rely on identifiers and other metadata to facilitate an actual transaction. Subscriptions and rentals require the ability not only to ingest and display titles and the accompanying metadata, but also to serve content in multiple formats, to interface with accounting and royalty systems and to provide a data mining tools for publishers, among other things.

Direct-to-consumer businesses, both on the sales side and on the self-publishing side require skills not typically found in book publishing businesses, including customer acquisition, understanding the lifetime value of customers/users, customer service and the ability to deal with many small transactions rather than a relative handful of larger orders from more traditional wholesale and retail customers.

via Bait ‘n’ Beer | A blog about books, publishing and their intersection with technology. Among other things..

Filed under: Future of Publishing, , , , , , , , ,

Go Read This | Bloomsbury Institute enters reader events market | The Bookseller

This does not terribly surprise me, but it is an interesting move and marks a move forward in the pace of Bloomsbury’s determination to diversify its revenue streams away from books, especially trade books:

Bloomsbury has set up a literary events arm called Bloomsbury Institute, hosting literary salons, lectures and book clubs, as well as providing sessions for unpublished writers.

Claire Daly, previously festival co-ordinator for the Soho Literary Festival, has been appointed as Bloomsbury Institute events manager, with upwards of 30 events planned a year, in addition to new events and masterclasses expanding the established programme for unpublished writers offered under the Writers & Artists Yearbook brand.

via Bloomsbury Institute enters reader events market | The Bookseller.

Filed under: Future of Publishing, , , , ,

Kobo: Publishing, Self-Publishing And Getting Bought

When Kobo announced that they were planning on becoming a publisher I meant to write  a post that said something to the effect of:

That makes sense, in fact it’s essential to their survival. What’s also essential is that they open their publishing platform to writers, and allow them to self-publish their work just as Amazon and B&N do.

Amazon and Barnes & Noble are having considerable success for a variety of reasons, but an important and, I think, underplayed aspect of that success is built on allowing authors to access their platforms.

In many ways, Kindle has become the international ebook platform of choice for writers because it has been the easiest platform to self publish through.

Other platforms have made it difficult to do the same, for instance you MUST use a mac to access the self-publishing abilities on for Apple’s iBooks (seems crazy to me). B&N, despite attractions, has Byzantine rules about providing US Bank Accounts, US Credit Cards and US Social Security Numbers before being allowed self-publish and the only other viable route to it and other markets are via Smashwords (lucky for Smashwords who do a great job) or one of the more expensive aggregators.

I suspect that if you are going to try the ebook market as a way to sell your work and Amazon make it easy (and they do) then you will push their system to your readers helping to spread the word of Kindle rather than the word of ebooks in general.

Of course you could counter by saying that it’s the quality that matters and so we deal with top publishers. That’s fine, but, I suspect, wrong.

Then I read, with some surprise I must admit, that the company (Kobo) has been sold. I hope for Kobo’s sake that the change in ownership doesn’t result in a change of priorities.

I want them to unveil their self-publishing platform and fast. The battle for position in the ebook market is really fierce and while as I argued many moons ago Ebooks Are A Cul de Sac, right now they are the most interesting game in town. Any delay for Kobo\s plans means another chance for Amazon or B&N to sneak a march on them. If B&N’s flagged move out of the US happens soon, you can expect them to ease the restrictions they place on foreign self-publishers opening an easier route to market for many writers*.

It seems clear to me that not having an open and easy to use system to facilitate self publishing is now a damaging and foolish business decision for an ebook platform.

Great chat today with interesting people!
Eoin

* I should add that the KDP is also a godsend for many small independent publishers like my own The Irish Story.

Filed under: Future of Publishing, , , , ,

Go Read This | Will print and ebook publishers ultimately be doing the same books? – The Shatzkin Files

Mike Shatzkin looks at the current realities of ebooks and print books and what is happening. I think we are only a few months shy of encountering the kind of events I describe here, at least in the US:

In fact, the current improvement in the profit picture suggests that the big houses have done a remarkably good job of managing the transition from print to digital so far. What is implied by the reported numbers, but receiving little attention, is that print sales are down pretty dramatically. Print runs are down with one trade house telling me that their midlist non-fiction first printings having typically declined by 40%. A larger house suggested that the print being shipped from their warehouse is down 35% in less than two years. I’m not close to the numbers but that might mean that for segments of their list shipments are half what they were less than two years ago.

Smaller press runs mean higher unit costs for printing and binding but they also mean fewer units are sharing the cost of design and page make-up. Many of the fixed overheads in publishing houses: warehouses, production departments, catalog creation, and lots of IT, are really only necessary to support the print component of the business. For the past two decades, commercial success in book publishing and, as the demise of Borders has made clear, in book retailing depended on an efficient supply chain. Being in stock but not overstocked, shipping quickly, being able to get fast turnaround on reprints, processing returns promptly to facilitate collecting accounts receivable, and providing accurate data to accounts as well as to internal stakeholders all require investment but generate value that shows up in

via Will print and ebook publishers ultimately be doing the same books? – The Shatzkin Files.

Filed under: Future of Publishing, , , , , ,

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