Go Read This | Scholastic, Ruckus Media Form New Digital/Print Imprint

This is a very interesting way to tackle the challenges ahead. It effectively takes the advice of Clayton M. Christensen and creates a new organisation outside the realm of the legacy company. Hope it works:

Children’s digital developer Ruckus Media is joining with Scholastic to create the Scholastic Ruckus imprint, a joint venture that will publish a wide range of children’s and teen content across all platforms, from interactive content and transmedia projects to e-books, enhanced e-books and print. The first titles from the Scholastic Ruckus imprint will be released in 2012.

Cofounded a year ago by former Simon & Schuster Children’s Publishing president Rick Richter and Ruckus Media COO Jim Young, Ruckus Media has developed a list of interactive storybook apps and will publish about 40 digital titles this year. In a phone interview, Richter said that under the new imprint, Scholastic will oversee the marketing and distribution of print editions of Ruckus Media’s digital titles through Scholastic’s network of school book clubs and book fairs, libraries and through trade book retailers. Scholastic will also manage the worldwide distribution and publishing rights for both print and digital content coming from the imprint.

via Scholastic, Ruckus Media Form New Digital/Print Imprint.

Go Read This | Brains and brawn | theBookseller.com

The Bookseller has a very nice feature on Estate Publishing on the back of the news about HarperCollins acquiring the worldwide rights to Agahta Christie’s work. Best thing in the magazine this week if you ask me (with the possible exception of an editorial by James Bridle).

He says dealing with the estates requires patience and tenacity: it took seven years of discussions with the Tolkien estate before it agreed for HC to release e-books. His first meeting with the Tolkien estate in 1995 involved him having seven publishing ideas in a row shot down. It was, he says, “the most humiliating morning”.

“You sometimes sit and think ‘have I gone native? Am I asking sufficiently challenging questions?’” he says. “You need to make sure you are not assuming too much. I’m fairly confident I’ve got the right perspective. You keeping chipping away.”

via Brains and brawn | theBookseller.com.

Estate publishing, like Classics and (although no-one else seems to think it) mid-list publishing can and should be territory for experimentation, innovation and great publishing.

Penguin’s Classics for instance have shown recently what just the application of some great design and clever curation can do for a list that isn’t even owned exclusively by one publisher.

Ryu Murakami to Release Novel Directly Through Apple iPad – Japan Real Time – WSJ

Author’s Will Drive Change as I’ve said before, especially those with an existing following or those with nothing to lose. How publishers can respond to this is worth thinking about and I suspect that means create ebook exclusive deals with authors that agree the lions share going to authors in exchange for exclusive hardback or paperback rights.

Let the nightmare begin. Novelist Ryu Murakami plans to release his latest novel exclusively for digital bookworms through Apple Inc.’s iPad ahead of the print version. Mr. Murakami, the acclaimed author of over 15 novels including “Coin Locker Babies” and “In the Miso Soup”, replaced the publishers with a software company to help develop the e-book titled “A Singing Whale,” or “Utau Kujira” in Japanese. The digital package will include video content and set to music composed by Academy Award winning composer Ryuichi Sakamoto, according to the Japanese business daily Nikkei. The newspaper reports the e-book will cost 1,500 yen ($17) and will be ready to download pending Apple’s approval. Apple Japan and Mr. Murakami did not respond to requests for comment at the time of publication.

via Ryu Murakami to Release Novel Directly Through Apple iPad – Japan Real Time – WSJ.

Go Read This:Brave New World – Chasing Cheap Labour in a Digital World

Well worth reading this today from Martyn Daniels and an interesting counter point to the previously tweeted video from O’Reilly Radar. To me, this is why capitalism works, because as economies grow and develop they push standard of living higher and increase income across the board, especially as countries play to their competitive advantages. Fascinating to see it impact hugh-tech companies so rapidly.

The most interesting point is that counties such as China and India no longer want the low end assembly and service work. “China doesn’t want to be the workshop of the world anymore,” says Pietra Rivoli, a professor of international business at Georgetown University. India is already maturing as a workforce and aspirations and wages are growing fast. The question is will the West pay more or simply flow to the next cheap source of labour?

via Brave New World: Chasing Cheap Labour in a Digital World.

Tor.com is a publishing.com

Tor.com gets even smarter
Thanks to Digital Book World (haven’t had time to read my RSS fees today) I learned this by twitter:

The Tor.com Tweet

The Tor.com Tweet

Tor.com are launching Year’s Best Fantasy 9, POD only through Tor.com rather than Tor! The long and the short of it is this:

Tor.com is proud to announce the immediate availability of David G. Hartwell and Kathryn Cramer’s definitive anthology, Year’s Best Fantasy 9.
This highly anticipated release also marks something we’re particularly proud of: Tor.com’s debut as a publishing entity, distinct from Tor Books and as a separate imprint under our shared corporate overlords at Macmillan.
YBF 9 is available only as a print-on-demand book, in keeping with our mission of always exploring alternative forms of publishing. Similar to the launch of the Tor.com Store, this title is one of our various publishing projects that seek to experiment with the available alternatives to publishing’s traditional sales, distribution, and delivery mechanisms.

You can buy the book in their online story here.

How smart are they?
Very. This builds on their nicely and still quietly and matter-of-factly launched Publisher Agnostic Store (links goes to my article on that development).

This also reinforces the concept of the Digital Vertical Niche that Mike Shatzkin likes to speak of and which I am also a fan. I’m intrigued and I really hope this works becuase in terms of new business models, this move is pretty much at the forefront.

Looking forward to good results, saddened by other news though!
Eoin