Go Read This | If you’re in marketing, kill yourself now | FutureBook

Snarky and brilliant piece on discoverability from Chris McVeigh over at FutureBook:

Discoverability is a problem for publishers precisely because it’s NOT a problem for readers. There are so many books, so many places to buy them, so many routes to the checkout, so many subtle nudges towards choosing a title – the fact is, what remains is that publishers need to find some way of getting their products in front of potential customers.

The problem with the discoverability debate is that it’s often been framed the wrong way around. The real discoverability problem for publishers is how to they can discover their audience, not the other way around.

via If you’re in marketing, kill yourself now | FutureBook.

At Open Road, Backlist Is the New Frontlist

In a further example of the ‘On the internet nobody knows your a backlist book‘ story:

The team closely tracks events and milestones that may present an opportunity—including some of the more offbeat occasions—and keeps a large white board in Open Road’s downtown offices to track potential openings. Chou recalled one such offbeat milestone: Geek Pride Day. Last year, Open Road used this occasion to push out a video with author James Gleick, who talked about being a science nerd. And in another video, bestselling fantasy author Barbara Hambly donned a pirate costume.

According to Chou, Open Road’s targeted videos in various outlets have a “significantly” better click-to-buy rate than traditional ads. Milestone marketing recently helped to propel Walter Lord’s classic bestseller, A Night to Remember, a definitive account of the Titanic’s last hours originally published in the 1950s, to #1 on the New York Times e-book nonfiction bestseller list, tied to the anniversary of the ship’s sinking.

via At Open Road, Backlist Is the New Frontlist.

Go Read This | ABC, Syfy and Best Buy? Retailer Launches Network – Advertising Age – News

This is totally the right move!

Yes, the retailer is now a publisher, rolling out a multichannel network filled with original editorial content spanning everything from how-to videos and gift guides to new-technology primers and behind-the-scenes looks at popular movies. The network, called Best Buy On, includes a website it bills as an “online magazine” and a huge in-store component with its content and ad messaging “broadcast” on screens across the store, including in the TV, mobile and portable entertainment sections.

via ABC, Syfy and Best Buy? Retailer Launches Network – Advertising Age – News.

Links of Interest (At Least to Me) 11/12/2009

Editor & Publisher and Kirkus Reviews to close. Frankly I find this a little strange. Even spinning them off might have been better, though survival on their own would have been pretty unlikely without serious reorganization and a fundamental rethinking of the business models.
Here

Canongate is profiled in the Wall Street Journal, that Jamie Byng has an eye for a book that can be packaged. It’d almost make ya jealous.
Here

Frankly, I don’t buy this Apple Tablet nonsense much. Apple cannot single-handedly change the industry, though they may try. In any case when Steve Jobs announces this on a stage somewhere, I’m sure I’ll want it, but until then, I shall waste no energy waiting or wanting.
Here

On the other hand, both Mike Shatzkin and Michael Hyatt have articles about new display systems for content that they claim will change the book world as we know it. I think both are right that change is coming but I have more sympathy with the Sports Illustrated demo video on Michael Hyatt’s post. After all that looks like a faster webpage with some extra features rather than something new. Webpages are the answer and so putting the web in every hand you can is the way forward for publishers and makes more sense than creating new, confusing and unnecessary formats. The trick is to make the customer pay for access to your content, not find a fancy way to display it.

Getting to Digital

Beastly goings on
There have been a few pretty big moves in the last few days towards what seem (At least to me) sensible models for getting digital and quickly. The first is Tina Brown’s The Daily Beast‘s deal with Perseus Press that the NYT featured yesterday:

Ms. Brown said that Beast Books would select authors from The Daily Beast’s cadre of writers, most of whom are paid freelancers, to write books with quick turnarounds. She said she planned to publish three to five books in the first year.

The beauty of the deal though is that they making digital first publications:

Beast Books, that will focus on publishing timely titles by Daily Beast writers — first as e-books, and then as paperbacks on a much shorter schedule than traditional books.

I rather hope this works, it certainly sounds like a good news story if it does. The model seems sensible, it capitalises on the eyeballs the Daily Beast is dragging and as The Big Money puts it in a sensible and thoughtful paragraph:

The good news is that this is exactly what digital publishing needs to fuel its growth: a product ideally suited to a new technology. Brown’s entry into the field validates the idea of writing specifically for the Kindle and its competitors, a huge vote of confidence in the tools. The less-great news is that for all of Brown’s talent for attention-getting, the Daily Beast may not have the right content to drive sales. Which just might be the point of the whole deal—with Brown using the book deal as a back door to better content.

Disney Digital

Disney Digital


Disney’s gamble
There have been some negative comments about Disney’s newly launched program that provides online access to 500. As the NYT (again) puts it:

In what it bills as an industry-defining moment — though rivals are sure to be skeptical about that — Disney Publishing plans to introduce a new subscription-based Web site. For $79.95 a year, families can access electronic replicas of hundreds of Disney books, from “Winnie the Pooh and Tigger Too” to “Hannah Montana: Crush-tastic!”

DisneyDigitalBooks.com, which is aimed at children ages 3 to 12, is organized by reading level. In the “look and listen” section for beginning readers, the books will be read aloud by voice actors to accompanying music (with each word highlighted on the screen as it is spoken). Another area is dedicated to children who read on their own. Find an unfamiliar word? Click on it and a voice says it aloud. Chapter books for teenagers and trivia features round out the service.

I like this idea because it is heading more towards the type of product that can win the battle for attention and hold its own against numerous distractions. What is more, a site like this (and being a site is crucial) has a certain seamless quality, it fits into the web rather than standing aside from it in a “connected” device. It will simply be a rich content website that you happen to pay for! That is important! that, I believe, is the future.

Both these moves are taking big publishing digital very rapidly. This is a space to watch!
Eoin