When Readers Decide

It is becoming hard to avoid the conclusion that a large portion of the reading public has decided they like ereaders and digital books, or at least that they are willing to give them a try.

With Amazon, B&N and now Indigo saying that ereaders are their hottest product and with Asda selling a £52 basic ereader in the UK where Waterstone’s were already offering options below £100.

It is hard to see ereaders staying above £50 this Christmas, perhaps I’m wrong but if Asda are in the game for real and they start to shift units, we’ll see some kind of price response from others. That will drive further sales and more results like these:

Revenue for the quarter was $387.6 million, up $47.4 million from last year driven by strong growth in the company’s digital business.  On a comparable store basis, Indigo and Chapters superstores posted a 2.6% increase in revenue, while Coles and Indigo Spirit small format stores were down 0.8%.  Sales from Indigos online channel, chapters.indigo.ca, were up 6.5% compared to last year.

Commenting on the results, CEO Heather Reisman said, “We are pleased with our top line revenue growth, particularly in our rapidly growing digital business.  Kobo eReaders were the hottest items in our stores over the holidays. Consumers have also responded very favourably to our broader gift and toy selection and reinforced our decision to continue expanding these categories.”

via INDIGO BOOKS & MUSIC INC. | Indigo Q3 Revenue Up 14%.

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Go Read This | Portraits of an Industry in Flux: Digital publishing and UX | UX Magazine

Excellent exploration of the challenges of being a book publisher in the modern age:

Several months ago, we piloted a program to deliver digital course materials to students enrolled in a select group of medical test prep programs These students were evaluated at the end of their courses to determine how using digital course materials affected their learning experiences, as well as how they felt about using the materials. Actual usage data was also collected and compared. We learned that for the large majority of the time, these students were using the digital versions of their course materials as quick reference tools. The most used feature was search, favored over other features such as note taking, highlighting, bookmarking, sharing, and others. The context in which students used the products most often was the classroom. Not online, not on the bus, nor in the subway. They were listening to a lecture and were using these eBooks to quickly look up terms and formulas and reinforce the lecture in a context.This pilot program represented a real turning point for us. We were both surprised and excited about the data we collected, and also by the real insight we had gained into what our customers were doing, what their needs were, and what they wanted us to provide to them. While the data is different product to product, we did learn what to measure and how to listen.In the world of software application development, UX designers and researchers physically watch people using an application and determine information about them and their needs through observation. In the eBook world, the ability to track usage data, feature adoption, and time spent with each product has meant that we have a whole new world open to us, and a new way of conceiving of and talking about our products and product development.Digital products have brought the customer back into the equation.

via Portraits of an Industry in Flux: Digital publishing and UX | UX Magazine.

Go Read This | HarperCollins stands down BookArmy | theBookseller.com

Well, this is a shame.

A shame that it didn’t work, a shame that there isn’t any hope of saving it, a shame that a publisher couldn’t build something for itself, a shame that they are using advertising as an excuse, a shame that they are using competition as an excuse, a shame that instead of trying something like this in such a half-hearted way (and if you think that’s unfair check out the simply pathetic social media presence for this social based site) they didn’t go for it hell for leather, a shame that the users still on site seem so committed to the idea (read the forums and you see there is a great deal of support and interest). Oh well

HarperCollins is closing its BookArmy social networking site later this month, blaming poor advertising and competition from similar sites.

via HarperCollins stands down BookArmy | theBookseller.com.

Unconvincing, Worth Reading Though | Boston Review — Onnesha Roychoudhuri: Books After Amazon

This reads like an extended complaint letter from publishers to Amazon. I’m unconvinced.

There’s nothing here that’s new or original, nothing that suggests anything other than an old order faced with a new one, and even that motif is tired.

I get no sense of what kind of ‘King’ Amazon will be, if indeed King it will be. I get no sense of where the reader fits into this little picture, nor the writers, nor even for that matter, despite the chatter in the piece about them, the booksellers, large or small?

In short it’s fun to moan about Amazon, but why are you moaning, who other than the publishers (and perhaps the booksellers, though that case is less clearly establish in this piece) is being hurt?

 

Publishers who once met directly with Amazon representatives find they can no longer reach anyone at the company, even by phone. Many publishers with distributors don’t even know the name of the person who buys their books at Amazon. The relationship is almost exclusively handled by the distributor. Indeed, of the 20,000 employees at Amazon, just one is tasked full-time with working as a liaison between the company and publishers.

Jeffrey Lependorf, Executive Director of the Council of Literary Magazines and Presses and of Small Press Distribution, suggests that the difference between Amazon and brick-and-mortar bookstores is most evident in how they market books: “I think even people at Amazon would say that it’s essentially a widget seller that happens to have begun by focusing on books. Many people, like me, will say you can’t sell a book the same way you sell a can of soup.”

At the heart of the soup-can analogy are the algorithms that Amazon uses to “recommend” books to customers. Most customers aren’t aware that the personalized book recommendations they receive are a result of paid promotions, not just purchase-derived data. This is frustrating for publishers who want their books to be judged on their merits. “I think their twisted algorithms that point you toward bestsellers instead of books that you might actually like [are] a shame,” Gavin Grant, cofounder of Small Beer Press, laments.

Algorithms can also affect how much customers pay for books. Individual customers may get different discounts on the same book depending on their purchase history. The practice is euphemistically called “dynamic pricing.” According to Roger Williams—the former sales director at Simon & Schuster, and one of the first salespeople to deal directly with Amazon—the complexity of the algorithms is such that, Amazon’s employees “sometimes don’t know themselves what is going to show up in some of the pages that appear.”

via Boston Review — Onnesha Roychoudhuri: Books After Amazon.

Go Read This | More on the Death of Publishers | Mssv

I’m not sure I agree that publishers have done nothing as this suggests, but even so, it is worth reading:

But why would the average person not pirate eBooks? Like Cory Doctorow says, it’s not going to become any harder to type in ‘Toy Story 3 bittorrent’ in the future – and ‘Twilight ePub’ is even easier to type, and much faster to download to boot.

After Christmas, tens of millions of people will have the motive, the means, and the opportunity to perform book piracy on a massive scale. It won’t happen immediately, but it will happen. It’ll begin with people downloading electronic copies of books they already own, just for convenience’s sake (and hey, the New York Times says it’s ethical!). This will of course handily introduce them to the world of ebook torrents.

via More on the Death of Publishers | Mssv.