Great piece in the NYT about an unheralded female Irish playwright:
IN the first half of the 1930s Teresa Deevy, a deaf writer from a small city in the southeast of Ireland, was one of the most prolific and acclaimed female playwrights in the world. She was “the most important dramatist writing for the Irish theater,” her fellow playwright Lennox Robinson wrote in The Dublin Magazine. Her most famous drama, “Katie Roche” (1936), a complex portrait of a lower-class servant with dreams of grandeur, inspired the critic St. John Ervine to write in the London newspaper The Observer, “Miss Deevy may be a genius.”
Then Deevy all but disappeared. The Abbey Theater in Dublin, which had produced six of her plays in seven years, started rejecting her work, and her prolific output slowed down considerably. Today she is rarely mentioned in theater courses; it’s difficult to find her plays. “Katie Roche” is occasionally produced, but her other works remain unpublished and ignored.