Quick Link | n+1: We All Die There Now

Good review this! I’ve not seens Kick Ass yet, I may  not after reading this!

One of the major differences between Kill Bill and Kick-Ass—besides the twenty-seven years that separate Uma Thurman from Chloë Moretz—is that Kill Bill is good and Kick-Ass is bad. Tarantino’s action sequences are as elegantly constructed as a well-turned phrase. When Thurman kills Gogo Yubari, Gogo’s metal ball drops to the floor, ending their fight as neatly as a period ends a sentence. The only part of Kick-Ass at all worthy of comparison with Kill Bill is one that has drawn dutiful outrage from critics: Hit-Girl, dressed in a white blouse and plaid skirt, is granted entrance to D’Amico’s lobby by his guards, whom she shoots quickly and quietly. In a movie full of jet-packs and gigantic explosions and burning warehouses, the scene seems spare and refined. But the sequence is one reason why critics have called the movie’s violence pornographic.

via n+1: We All Die There Now.

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