Go Read This | Macmillan To Publish First Novel From Swoon Reads, A Crowdsourced Romance Imprint And Online Community – Press Release – Digital Journal

Publishing is a complex ecosystem (something I wrote about nearly three years ago when I wrote about The Value Web that was emerging in trade publishing), one in which there is no ONE way to publish or be published. Here’s a very nice example of that reality in play:

Sandy Hall, a teen librarian from Hawthorne, New Jersey, posted A LITTLE SOMETHING DIFFERENT to the Swoon Reads site in November 2013. Within weeks, the manuscript was rated “Five Hearts” by the Swoon Reads Community and considered to be one of the most “Swoonworthy” on the site. This brought it to the attention of Jean Feiwel, Publisher of Swoon Reads, and the rest of the Swoon Reads Board. One e-mail and two phone calls later, Sandy Hall signed her first book deal for World rights. 

via Macmillan To Publish First Novel From Swoon Reads, A Crowdsourced Romance Imprint And Online Community – Press Release – Digital Journal.

Go Read This | Hugh Howey’s Report On Author Earnings

A smashing example of how data can both clarify and obfuscate. On balance this is a fantastic piece that brings much-needed information to the discussion and what is more provides a free download of that very data. That’s almost unheard of! On the downside, I have some misgivings about the section dealing with income estimates based on unit numbers which are themselves estimates. This is further compounded by the fact that the royalty split is never as easy to assume as the current model assumes, for instance non-US authors may not earn 70% on all sales that would appear to be 70% sales for a variety of reasons. Even allowing for these complications the data gathered is very impressive indeed.

One of the most fascinating sections though is this conclusion here:

Our first thought was that top self-published authors can put out more than one work a year, while Big Five authors are limited by non-compete clauses and a legacy publishing cycle to a single novel over that same span of time. Indie authors are most likely earning more simply because they have more books for sale. Was this skewing our results? We ran another report to find out, and to our surprise, it turns out that only the handful of extreme earners have this advantage. Most self-published authors are, on average, earning more money on fewer books:

The_Data_-_A_Look_at_Author_Earnings_pages

This suggests that the earnings discrepancy will grow greater over time, as self-published authors develop deeper catalogs.

via The Report | AuthorEarnings.com

Go Read This | Sony exits and the ebook business loses an original player – The Shatzkin Files

Worth reading mike’s thoughts on Sony’s move:

The wild card here is if some big outside player — Walmart being the most frequently mentioned — saw benefits to having the ebook business or even the whole book business in its portfolio. That’s happened in the UK, where supermarket chain Sainsbury’s bought a majority stake in Anobii a UK-publishers-backed startup, analogous to Bookish in the US and Tesco bought Mobcast because the ebook business was one that they thought fit in well with their offerings and customer base. Both Sainsbury’s and Tesco made statements about strengthening their “digital entertainment” and online retailing propositions. Tesco is investing in devices as well. Kobo has made it a pillar of their strategy to find brick-and-mortar partners all over the world.

via Sony exits and the ebook business loses an original player – The Shatzkin Files.

Go Read This | Smashwords: Farewell Sony Reader Store

More n the end of Sony’s eReading efforts in the US and it’s impact of Smashword, which in the very words of Mark Coker makes clear why this, although notable, is not that huge a deal:

Sony’s devices and ebook store predated Amazon’s, so when the history books of the indie author revolution are written I hope historians give Sony the credit they deserve as a true pioneer.  My sentiments and appreciation for Sony and their awesome people aside, the impact on Smashwords authors today will be minimal.  The Sony store, as most authors know, is one of the smaller retailers in the Smashwords distribution network.  To put this in perspective, on a typical month, less than 2% of our authors’ monthly sales come from Sony.

via Smashwords: Farewell Sony Reader Store.

Go Read This | The Future of Reader Store | Sony

This isn’t exactly surprising but it’s still something of a wow moment. n the one hand Sony is in retreat in more areas than just ereading so, what’s so newsworthy about this but on the other the fact that one of the pioneers of digital books has called it a day and is effectively pulling out is notable. And that Kobo would appear to be the emerging only viable candidate t rival Amazon is also notable:

Although we’re sorry to say goodbye to the Reader Store, we’re also glad to share the new and exciting future for our readers: Reader Store will transfer customers to Toronto-based eReading company, Kobo—an admired eBook seller with a passionate reading community. We strongly believe that this transition will allow customers to enjoy a continued high-quality e-reading experience. As a result of this change, we will close Reader Store in the U.S. and Canada on March 20, 2014 at 6 p.m. (EST).

via The Future of Reader Store | Sony.