Children’s Books Ireland: Digital Developments Seminar

kindle_etch02
With thanks to Flickr user adafruit used under CC Attribution-Non-Commercial-Share Alike 2.0 Generic Licence

I’m working with the wonderful people at Children’s Books Ireland to make a Digital Developments Seminar happen in Tallaght Library on 28 November 2009. I’m really rather looking forward to it:

Digital Developments will focus on where digital changes have taken publishing so far and what further changes can be expected in the future. The seminar will also offer practical tools and strategies to authors, booksellers, and publishers alike, on how to take the next step into the world of digital and social media.

The half-day event will feature a keynote address from me and a panel discussion featuring Ivan O’Brien, Susan Carleton and Vanessa Robertson. It is going to be wonderful.

For more information visit the event page over at CBI.

I’m hoping that it will be practical, useful and focused on the real application of technology for authors, publishers and booksellers.
Eoin

Guest Post: An Author’s View of Electronic Publishing

Peadar Ó Guilín agreed to write a post for me on, well it does what it says on the tin. I was inspired to ask him by the contribution he made to the forum on the future of publishing that CBI ran.

Paper Chase
There is a goose that lays golden eggs. Yet, its flesh is so tasty that sooner or later, people who aren’t getting their share of the gold, will say to one another — “why don’t we take that bird to the chopping block and have ourselves a feast?” It’s not their goose and they didn’t spend money feeding it. They have nothing at all to lose.

Good morning, or maybe, good afternoon. Perhaps you haven’t noticed, but newspapers all around the world are going out of business right about now. The Rocky Mountain News has bitten the dust, The Boston Globe is slashing wages and even the world-famous New York Times, the “grey lady” herself, is predicted to phase out its print edition a few short years down the line. Journalists by the score are losing their jobs because they can’t compete with the lower quality, but free information that lives less than a click away. Nor, as Rupert Murdoch is learning, can online revenues make up for eyeballs lost in the real world.

“But books are different,” I hear you say.* “It’s all very well for gentlefolk to read a few headlines off the screen, but War and Peace would burn the eyes right out of their sockets…

A few years ago, you’d have been right about that, but these days the arrival of e-ink devices, such as the Sony Reader and the Amazon Kindle, mean that electronic reading causes no more eye-strain than paper. Indeed, if your peepers are beginning to age a little, the fact that you can increase the print size at will, might allow you to leave your glasses in their case all the way to Napoleon’s defeat at Moscow.

There are other advantages that make a compelling argument for the imminent rise of ebooks. Here are just a few:

    1) some of these devices can hold thousands of books at once. This is handy if you want to carry around a whole law library, or take 17 novels away with you on holiday
    2) some of them access the internet directly so that the user can buy a book while on the train, or sitting up in bed, or out for a walk
    3) the title you want is never out of print or out of stock
    4) some devices allow you to take notes
    5) all of them will let you upload your own documents from work
    6) school books weigh nothing and never go out of date

If none of the points above represent a compelling reason as to why you would want an ebook reader, then rest assured, there are thousands willing to take your place in the queue. Once they become the majority,** the publishing game will have changed forever and woe betide the writers, publishers, editors and book-sellers who don’t find an online berth for themselves before that day comes.

A Rising Tide of Tosh
We’ve all had the experience of spending our own sweet, sweet money on awful books. Books that we’ve flung at the wall, or abandoned in train stations, or given as gifts to our enemies. But even terrible books have to meet certain standards before they can be published. Somebody loved them enough to purchase the rights. And that same person only did so after a process that weeded out a thousand books that were even worse. Imagine that! Just close your eyes and think about how bad some of those rejected books must be. Try to picture them in a pile next to the one book that was chosen. This is important, because, that column of purest tosh,*** is the future of fiction.

You see, when electronic books take over, printed novels will become a bit of a rarity. I don’t believe they will ever die out completely. There are still specialist shops, for example, where you can buy the tiny number of vinyl records that the music corporations still produce. However, in the same way that most people these days listen to songs on CDs or mp3s, most readers will find their thrills on e-ink devices and a large amount of fiction will only ever appear in that format. After all, cut out the book shops and the printers, distributors, buyers, returns, warehouses etc. etc. and it will be cheaper to produce an ebook than a pbook by orders of magnitude.

Indeed, in many cases, the production of an ebook will cost precisely nothing. After all, anything you write on a word processor is already a document capable of being read on an electronic reader.

Rejectee’s Revenge
Once upon a time, the public would never have come across a writer’s work without the intercession of a publisher. A rejected author might shake his fist at the gods or smash a bit of furniture, but in the end, the manuscript would be retired to the sock drawer for the nourishment of mice and beetles.***

These days, however, the rejectees have another outlet for their frustrations. They can sell the book through their own website or even on Amazon, where it will compete with, and distract from, more professionally produced work. The authors can also give their novels away for free, and a great many do.**** That is, of course, their right and none of my business. But I can’t help thinking about what is happening to journalism right now as it tries, and fails, to compete with free sources of news

The Death of Reading?
This is dangerous territory for everybody involved in publishing, from the authors right on down the line to the person who stacks our books at Easons. It’s not just that we might all lose our jobs. There’s a very real possibility that the hobby known as “reading for pleasure” could become a thing of the past. A reader’s investment of effort in a book, is far greater than the three minutes it takes to sample a pop song. In a world chock-full of free, but pitiful fiction, the average novel will be a waste of time, an insult to the intelligence and an advert for every other form of entertainment out there.

Except…

Except, of course, there’s rarely such a thing as a completely random read. Most of our books come recommended from friends or reviewers we’ve grown to trust, or they’ve been written by a favoured author. We’ll still have such voices to listen to in future: the modern internet is already well-populated with heroic bloggers who sacrifice their own sanity wading through dung so that we don’t have to.

Instead of agents and publishers, we authors might end up submitting our work directly to the famous taste-makers of the day. Indeed, many of our current industry professionals, in particular, editors, might well find that their opinions are still be in high demand.

But what I can’t yet see, is where the money is to come from in this scenario. And I do believe, that the very best fiction, like great journalism, needs to be funded. Professional writers have more time to dedicate to their art; editors add enormous value by taming a manuscript and so on. Yet, in the end, none of us will keep our jobs unless we can find a way to succeed where the newspapers have failed: we must convince the public that our services are worth paying for.

For now, I’ll be keeping my fingers crossed. Hope to see you on the other side 🙂

*I have remarkably large ears.
**Which they will when schools start to make use of eReaders.
***This is not to say that all rejected books deserve such a fate, and we are all familiar with stories of spurned genius, but please understand that I’m speaking in generalities here. Also, some novels fail to find a publisher, not because of low quality, but because the potential audience might not be large enough to justify production costs. However, it is also true that the vast majority of what lands on a slush pile is pretty much unreadable.
****But since the ebook market is still so small, the effect is negligible for the moment.

Publishing, but not as we know it

Eoin Purcell

A screenshot of SCD Library Website
A screenshot of SCD Library Website

Hopes & Dreams
I went to Children’s Books Ireland’s talk on Thursday 11th June on the future: Publishing but not as we know it | ebooks, digital publishing and children’. Aside from the very minor quibble, that the panel had no publisher (odd given the topic) it was nonetheless by far the most interesting group assembled to talk about the topic that I have seen for some time in Ireland.

I arrived late and so missed Samatha Holman of the Irish Copyright Licensing Agency who I have seen talk recently about Google and possess probably the best understanding of Copyright law (both national and international) in Ireland. This added greatly to the discussion because it enabled her to cut through the hopes, dreams and wishes right down to the what was allowed and what had yet to be agreed, always useful when discussing the future!

I also missed Peadar Ó Guilín which annoyed me, as I found his contributions to the discussion after the main talks, fascinating, even if he seemed an evangelist for no longer needing publishers*. If I have him wrong, I’ll apologize.

Two other panelists really fascinated me too. The first was speaking as I arrived, John McNamee, President European Booksellers Federation spoke about the challenges of bookselling in the future and spoke of a vision where he sold the customer the intellectual property for a fee and then asked what format he would prefer it in. Seems a nice idea, though my gut told me that it wouldn’t work at a decentralized level and would work at a much more central level. But then, being proved wrong on that one, would be a bonus.

By far the most revelatory though was the South County Dublin Librarian, Georgina Byrne. She revealed the extent of their download services something its seems that has floated beneath the radar of nearly everybody in Irish publishing (certainly non-one has ever mentioned it to me).

They have partnered with Overdrive and now deliver up to 3000 titles in ebook and audio book form to members via their download zone.

If you like paper and love paper books then the message Georgina had to share was a depressing one. Children love the libraries Tumblebooks service which offers children’s books online. And, if you listen, read an watch one, you can see why. I tried Dinotrain and it is fun!

As Samantha Holamn said during the discussion, the panel and teh subsequent discussion was by far the best she had attended because it looked forward and I think that was due in large part to Oisín McGann who chaired the event quick wonderfully offering his well considered contributions and links out to funny and informative videos throughout.

I’ve left numerous side issues out but needless to say there was much discussion on Agents, Publishers, Contracts, Google, a little about Amazon, Scribd and a little about revenue models and changing cultural norms. It was a shame I had to leave so quickly when it ended I’d have liked to discuss some of the issues more with the panelists. Still, a thoroughly thought provoking evening.
Eoin

* It always amazes me that people would relish the disappearance of publishers wholesale. Yes some publishers might not be excellent and sometimes working relationship have become strained or just plain broken, but surely as an industry over the lifetime of their existence, publishers have been more than simply blood suckers?