My 2009 Publishing Heroes

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Everyone is off writing prediction posts for 2010 (follow them on George’s wonderful tracker), I thought I might take a brief minute or two to consider the heroes of 2009. At least my heroes. I tried to keep it to a small list (5) and I chose them for personal reasons, they may grate with some (and yes I kinda broke my own limit with one of them).

Dominique Raccah – The Innovator
When I saw Dominique speak at TOC Frankfurt I was blown away. She was the breath of fresh air that I had been waiting for in the industry, she is passionate, articulate and insanely clever. She grasped the challenge of publishing in the present age brilliantly and has responded in kind. Her discussion of the publishing continuum has revolutionised my thinking on digital offerings and content and her passion for her company and its future is manifest and heartening. She is at the core of the discussion about how to respond to the challenge of digital content from the publishers perspective and I think she has the answers. She is a hero for 2010, and I suspect for many years to come too.

Mike Cane – The Writer’s Advocate and Alarm Bell
Cane provides solid analysis (caked as it can sometimes be in vitriolic hyperbole). His vision is not even remotely tainted by the fact that it comes solidly from a writers perspective, in fact in many ways that is his strength. Too much for some, he is never shy with his opinion but willing to respond when challenged and corrected.

The Quartet – The Try-ers
They briefly excited the online e-vangelist echo chamber with their hopes and ambitions for a digital only press. They failed. Trying something big and scary and failing publicly can be disheartening, dispiriting and depressing. But the Quartet have dusted themselves off and moved on with a speed and alacrity that is impressive.

James Bridle – The Inventor
James continues to amaze with the work he produces and the ideas he brings to fruition. I heartily recommend following him if only for the sense of wonder you have when you read about his latest project or the awe you feel when looking at the pictures he produces of them.

Jose Afonso Furtado – The Source
A seeming unstinting dedication to reading and linking out to the best stories online in the media, publishing and book sphere, is Jose’ great strength. If you follow his twitter deed you will be connected and in the loop on just about all the trends you might need to monitor.

It’s not a long list, but I think it’s a good one!
Eoin

Links of Interest (At Least to Me) 03/12/2009

I’ve been a bit lazy with the linking here, because I’ve become so addicted to linking through Twitter. But I shall try and change.

A very nice exploration of what Google brings to the party for newspaper publisher (1 & 2). Extra credit, the Guardian’s interview/article with Google’s Josh Cohen.

I’ve never met John Blake, but I hope to some day. He’s a smart-smart publisher and this column in the Times goes to the heart of why in very simple language, a pretty impressive achievement:

The way the big publishers work is like spread-betting. About 80 per cent of books break even, 10 per cent lose a lot of money and 10 per cent make a lot of money. It doesn’t matter to them that some books don’t make money, because in the short term you have to keep the wheels turning and the staff employed until the next big thing comes along.

The New York Times has a holiday guide to the ereader. Worth digging into if only for the section where they explore the REAL future of content:

While not technically an e-reader, an online e-book portal for children is offered by Disney. A subscription provides access to more than 500 titles from Disney, including classics like “Bambi.” A family membership with accounts for up to three children is $8.95 a month; an annual membership is $79.95. Gift subscriptions, by the month or year, are also available.

Disney Digital Books is compatible with both PCs and Macs. Since it’s browser-based, you can log into your account on any computer. Young readers can select books based on individual reading levels, including picture and chapter books.

Promising more blog linking!
Eoin

Links of Interest (At Least to Me) 03/10/2009

In retrospect, this revised talk by Michael Tamblyn from Shortcovers at TOC Frankfurt was one of the most positive and enjoyable! Thankfully following some pressure on Twitter and such like, he put it up on Blip.tv! You should watch it!

This is a very clever post on building a channel (read niche if you will):
Here

Mike Cane on Apple’s long term strategy for ebooks! You’ll like it:
Here

There is literally too much digital news to know where to start

Eoin Purcell

But start we must
So how about with this piece from Crain’s New York about a new ebook publishing house (strangely sans website yet) OR Books. The house is run by, John Oakes and Colin Robinson, two veterans of New York’s independent literary scene. To my mind the most interesting tidbit in the article was in terms of their business plan:

Publishing only e-book and print-on-demand editions, OR won’t have to deal with any returns. The company also won’t share revenue with distributors, wholesalers and bookstores, which together can collect as much as 60% of sales. The savings will go into online marketing campaigns that will run about $50,000 to $75,000 per title—huge sums for so-called mid-list books.

Print-on-demand trade paperbacks will sell for $15 apiece, but the partners have yet to decide what to charge for e-books. Typically, prices for new titles range from around $26, or the same as a hardcover, to the discounted $9.99 that Amazon charges for most of its Kindle titles.

OR will also make a small number of books available to cooperating bookstores on a nonreturnable basis. And it will consider a title a success if it sells just 5,000 electronic copies.

I’ve added the emphasis there. That, frankly seems a pretty significant sum to be even contemplating in ad spend online (or will that mean print ads for ebooks? And the ebook price is not yet set? Stranger and stranger I say.

Wherever Spanish is read
Everywhere online and digital if the latest reports are to be believed. The top three Spanish publishers have joined forces to create a digital distributor. Seems eminently sensible. A much fuller article can be read on Publishing Perspectives a relative but very interesting newcomer to the publishing news scene, focused on international views and opinions. from the text it seems like these major players have developed a pretty sensible model too:

In negotiations with the Association of Spanish Literary Agencies (ADAL), the publishers have agreed to price ebooks at 80% of a printed books cover price, with a standard 25% royalty rate. Booksellers will be offered a maximum discount of 50%.

The truth, plain and unvarnished
I’ll only cover three items today and perhaps do a follow up post tomorrow, but that third item must be Andrew Savikas’ really gauntlet throwing down piece over at o”Reilly Radar in which he basically calls B*llsh*t in people who think the value is in theur conent. twitter has been abuzz with publisher types praising it all day and with real reason. it is clear, concise and devastating for those who disagree with his perspective:

“But people are still buying content when they buy a book or an album,” the argument goes. Yes, they are. The same way that you’re buying food when you go to a restaurant. You are purchasing calories that your body will convert to energy. But few restaurants (especially those you visit frequently) have ingredients any different from those you can get yourself at the corner store, for much less money. So it can’t be true that your primary goal is to purchase food; you’re purchasing a meal, prepared so you don’t have to, cleaned up so you don’t have to, and done so in a pleasing and convenient atmosphere. You are paying for the preparation of the food and the experience of eating it in the restaurant, not the food itself [2] (beyond the raw cost of the physical ingredients, which in the case of digital content is effectively zero).

And to finish the sad news, for the staff of Borders in Blanchardstown, the book buyers and the publishers of Ireland is that the only Irish store in the UK arm is closing along with four UK based branches. It is a real shame, I liked the store though I will freely admit I got there irregularly. I wish there was some way to avoid this outcome.

Not happy this evening,
Eoin

Springer Images: A simple but important idea

Eoin Purcell

A screen capture from the SpringerImages site
A screen capture from the SpringerImages site

I like SpringImages.com and not just because I am the kind of nerd who will use it. Even without paying a subscription you get pretty broad usage terms:

If you are a Registered and a Subscribed User, you may

* Access, browse, copy, collate, display, search, bookmark, retrieve, display and use the Content for educational, personal, scientific, or research purposes, including illustration, explanation, example, comment, criticism, teaching, research or analysis in accordance with these Terms of Use.
* Add keywords to Content and save prior searches of the Content on your Account, and you may use the Content to tailor your Account in accordance with these Terms of Use.
* Download or create printouts of certain Content under certain restrictions and conditions. All reproduction and distribution of such printouts, and all downloading and electronic storage of materials retrieved through the Content shall be for your own internal, personal or scholarly use.

There is much more detail about the site here! In terms of what most casual users would need, this certainly hits the spot. Opening up these images is a very smart move and one that should be pretty widely welcomed. This is exactly the kind of material it is hard to find in the real world of web search which is the real value of opening up the database for searches even if the results of those searches might yield unusable images (for subscription reasons). I wonder how well the site plays with Google?

Go have a look!
Eoin