this is a significant jolt to conventional publishing economics. Sales of Konrath’s $2.99 ebook will deliver him about $2.10 a copy (Konrath says $2.04; not sure where the other six cents is going…), as much or more as he would make on a $14.95 paperback from a trade publisher, and significantly more than he’d make on a $9.99 ebook distributed under “Agency” terms and current major publisher royalty conventions.
I noted here and elsewhere how Authors will drive change and pointed specifically to Konrath. It is very interesting that this deal is with Encore whose efforts I have also been watching warily for some time.
Publishers who didn’t see this coming, having been warned that such moves were on the horizon and in the aftermath of a series of similar deals really only have themselves to blame. I wonder what the reaction will be.
Colm & The Lazarus KeySome time ago, while I was still working at Mercier Press, probably back in early 2008 in fact, I read a submission. It was for a book by a young man called Kieran Mark Crowley. The pitch was great, the text was zingy and the whole thing just read exceptionally well.
I met Mark, liked, him, pitched the book at the new title meeting and before we knew what was happening, Colm & The Lazarus Key was published and on bookshelves (complete with a rocking cover by the wonderful Snowbooks folks).
Last week the shortlist for the 20th Bisto Children’s Book of the Year Awards was announced and Kieran’s wonderful book was one of the ten books chosen for that shortlist. I’m delighted because I honestly believe that Kieran has many more fine books in him and that Colm & The Lazarus Key is one of the finest Irish children’s debut novels for some time.
The things that get you thinking
I’ll be speaking during the Pech Chang session at TOC Frankfurt in October. I’m going first and frankly, I’m terrified. Even so I’m looking forward to it. It feels like an opportunity to talk about some of the forces shaping the future of publishing and books.
I mention it because one of the things I will be talking about is Branding and why, in a nichified world, it will become increasingly important. This has been an absolutely huge meme online in the last few days and it’s worth sharing some of those thoughts here.
Mike Shatzkin, as ever, was there ahead of me and many others, with an interesting piece on his blog. He focused on the reason why publishers need to understand brand:
In the next 20 years or so, the brands that will dominate for a very long time will be created.
Why?
Because the organization and delivery of stuff — including information — is being realigned into verticals; that is: subjects. The requirements of physical delivery required aggregation across interests that the Internet does not. So enduring horizontal brands of content like newspapers or book publishers but also outside content, among retailers, for example, that thrived across interest groups will find themselves challenged by new brands that are narrower and deeper. Being narrower and deeper permits a much more involved engagement with the audience. It strengthens the brand.
Read the rest of the article, it makes complete sense, echoes much of what I think and places the conversation in context from a publishers perspective.
Then Seth Godin spoke at a small event organised by the DPG in New York and touched off a firestorm! And for reasons I cannot quite get a handle on. The video’s don’t seem too radical to me, but you be the judge:
Patrick over at the Vroman’s blog has a wonderful post that nicely sums up some of the arguments of Stein, alludes to some of and suggests some positive views too. The subsequent discussion is worth reading as well.
What this all comes down to of course is that as Don Linn noted in the tweet below, business models are all very well, but profitable business models are hard to find.
Profit is good!
Bob Miller, in this video from Ron Hogan, says pretty much what Don and Seth are saying but from the finance side of the fence.
Changing a brand and making it matter will not be THE panacea, publishers will still shrink and they may well not survive as large companies. If they do, they will publish books (as Richard Eoin Nash has said and wouldn’t you know it, I cannot find the link, but here is a general one for Richard) like movies are currently produced.
That is because the internet and digital media enables the removal of every single point in the value chain except author and consumer. In this model the only scale that needs large capital (and furthermore justifies the application of capital with large rewards) is when you need to market to everyone, brand will enable you to connect with niche reader and writers at as granular a level as you can building something that is worthwhile to readers, so worthwhile that they give you money. Of course, who YOU are may not be a publisher.
Working on letters and notes, thoughts and ideas, trying to avoid too many down thoughts! Eoin
I need a non-fiction writer who knows quite a bit about the Great Irish Famine who can write 7,500 -10,000 words by the end of September 2009.
I can’t reveal the project yet, but anyone who is interested should drop me a line with a sample of your writing and a short 1 page cv @ eoin{dot}purcell{at}gmail.com
If you don’t write about the Famine, but do write non-fiction about Irish History, drop me a line anyway, there are several projects on the way that might suit. Ideally I’d have this locked down by the end of next week. Feel free to share this blog post as widely as possible.